28th June 2025: Emma Johnson with The Gildas Quartet

£12.00£24.00

Saturday June 28th at 7pm

Dore Abbey, Abbeydore HR2 0AA

Internationally acclaimed solo clarinettist, recording artist, composer and lecturer Emma Johnson is joined by the thrilling Gildas Quartet for an evening of music by Glazunov, Shostakovitch, Mozart and Emma Johnson herself.

 

Further details below.

Description

Emma Johnson  Folk Song Suite

(Fantasy on Three folk songs: The Lark in the Clear Air, Down by the Salley Gardens and Tom he Was a Piper's Son)

Glazunov             Reverie Oriental for clarinet and strings

Shostakovich     String Quartet No. 8 in C minor

Mozart                 Clarinet Quintet in A major, K581

 

Emma Johnson, clarinet

Emma Johnson is one of the few clarinettists to have established a career as a solo performer. Emma grew up in London and her career was launched when at the age of 17 she won BBC Young Musician of the Year followed by the Young Concert Artists Auditions in New York. She studied Music and English at Pembroke College, Cambridge before embarking on music full time and since then she has performed all over the world.

Johnson has made 30 recordings to date; tracks from her recent album with the BBC Concert Orchestra, English Fantasy, have been streamed 5 million times on Spotify. Voyage and The Mozart Album on the Universal label were also classical chart-topping successes and Johnson's CD of Brahms sonatas with John Lenehan was described as "definitive" in The Observer, whilst her recording of Stanford and Finzi Concertos was nominated for a Gramophone Award.

Emma Johnson is also a composer; books of her arrangements and compositions have been published by Chesters, Fabers and Encore Publications. Songs of Celebration, Johnson's composition for clarinet and choir, has recently been performed in Dublin, London and Tokyo and she has written a clarinet concerto Tree of Life which has numerous performances planned with her hand-picked Orchestra For the Environment. A series of new solo clarinet pieces has been published by Queen's Temple Publishing.

In 2020 Emma Johnson was awarded the Cobbett Medal for distinguished services to chamber music from the Musicians' Company Guild in the City of London. She loves to collaborate with other musicians and also directs her own ensemble, Emma Johnson and Friends, whose recent live recording of the Schubert Octet was critically acclaimed. Working with artists as diverse as Sir Yehudi Menuhin and Dame Cleo Laine, Emma is known for her eclectic programming; amongst the programmes she offers are Tales of Vienna and Clarinet Goes to Town.

Emma Johnson’s TV appearances range from a recital for Sky Arts TV to gala concerts including a recent televised Prom. Emma played the popular theme for The Victorian Kitchen Garden on BBC TV (winning a Novello Award). Videos of her performances and masterclasses can be seen on her YouTube channel.

Her radio work includes Artist of the Week for both BBC Radio 3 and Classic FM as well as for radio stations around the world and she has been a featured guest on programmes such as Woman's Hour and World at One. Her broadcasts about the composer Finzi and the poet Milton were both chosen as Pick of the Week and she is often invited to give talks, including recently Comedy Classical, an exploration of humour in music, for The Arts Society.

Emma has given masterclasses throughout the world and she has devised a project, Instrument Stories, delivered by the charitable Emma Johnson Music Foundation, to increase awareness of instrumental music in UK primary schools.

Emma has appeared as soloist with many of the world’s leading orchestras in repertoire which includes all the major clarinet works as well as pieces written especially for her by Sir John Dankworth, Will Todd, Patrick Hawes, Matthew Taylor and Sir Michael Berkeley amongst others.

Emma was the first woman to be made an Honorary Fellow of Pembroke College, Cambridge and in 2017 the college commissioned a portrait of her. She enjoys running and is also a keen lover of nature. She is a patron of ClicSargent, and Ronald Mcdonald House Charities.

She was honoured by the Queen with an M.B.E. in 1996.

Emma plays an instrument made by the English clarinet maker, Peter Eaton.

"Emma Johnson has realised what lies at the heart of music making when it is at its best: she does not just perform but uses the music to communicate something wonderful."

 

The Gildas Quartet

Tom Aldren, Violin

Gemma Sharples, Violin

Christine Anderson, Viola

Anna Menzies, Cello

The Gildas Quartet, praised for their ‘energy, verve and refreshing approach’ have performed to critical acclaim at major venues including the Bridgewater Hall, Barbican, Wigmore Hall and live on BBC Radio 3. Their bold and explorative approach to performance has been recognised by the International Franz Schubert and Modern Music Competition, Graz, where they won first prize in the Audience Engagement Award 2018.

Determined to bring the visceral experience of string quartet performance to audiences at close quarters, the Gildas launched their immersive ‘Surround Sound Sessions’ project in Winter 2019. This series ranges from short one-work ‘pop-up’ concerts in unusual settings to full-length recitals, with the audience literally in the midst of the players, in surround sound. In May 2020, the Gildas Quartet received an award from the Help Musicians UK Do It Differently Fund, which supported the continuation of their Surround Sound Sessions project remotely, under the dramatically different circumstances that the pandemic brought about.

Passionate advocates of music from all periods, the Gildas have collaborated with many eminent British composers. The Quartet has been privileged to work with Sir Harrison Birtwistle, Colin Matthews and Michael Finnissy, and commissioned Philip Cashian’s String Quartet No. 2, which was given its premiere by the Quartet at the St Magnus Festival in Orkney. The quartet’s recording of two works by Cheryl Frances-Hoad was released to critical acclaim on the Champs Hill label in 2020.

The Quartet has given recitals at international festivals such as Cheltenham, Lake District Summer Music and Oxford Lieder, as well as touring in Europe, China and South Africa. They are City Music Foundation Artists and former Junior Fellows at the Birmingham Conservatoire. They have frequently been featured by the Park Lane Group and are grateful for awards and support from the Arts Council, Britten Pears Foundation, Tunnell and Richard Carne Trusts.

Additional information

Ticket Type

Front Nave, Rear Nave, Restricted View, Student under 25

Venue: Dore Abbey, Abbeydore

Venue Website: http://www.doreabbey.org.uk/

Address: Dore Abbey, Abbeydore, Herefordshire, HR2 0AA, United Kingdom

Description: A Brief History

A photo of the screen at Dore Abbey venue for Concerts for Craswall summer concerts
The Screen Dore Abbey

The Abbey was founded in 1147 by French Cistercian Monks from Morimond. The construction of the present stone buildings in the ‘new’ Early English style started in 1175 and was consecrated in 1280.

Having avoided being razed by Owen Glendower in 1405, the Abbey was suppressed (dissolved) by Henry VIII in 1537 and the buildings sold to John Scudamore. All the monastic buildings, the nave and roof of the Abbey were dismantled and the stone sold by Scudamore. All that remained (i.e. the present Abbey) was left as a roofless ruin until c1630.

John Scudamore’s great-great-grandson (John Viscount Scudamore) had no male heir, all his sons having died at birth or soon after. Archbishop Laud suggested that his ancestor had perhaps overdone the commercial benefits of the dissolution and that he should “consider his conscience”. Restoring the ruins into a Parish Church was deemed an appropriate penance and the rebuilt church was re-consecrated in 1634. Subsequently, Scudamore’s wife had a son who survived !

Laud had considerable influence on the restored church. The Screen through which the raised altar can be seen by the congregation was one of his innovations. His coat of arms together with those of Lord Scudamore and Charles I are on the Screen.

The church was further restored, first around 1700 when the wall paintings were created, and later around 1900 when the church was ‘shrunk’ into what had been the presbytery. The Church you see today has been little altered since the 1900 rearrangement.

Today The Abbey enjoys regular Church services, has a fine organ and a peal of 6 bells. It is also the venue for many concerts and local community activities, including Concerts for Craswall.